Tarocchino Milanese a Doppia Figura

Creator(s): Bordoni
Date: 1880* reproduction 2000
Country: Italy
Publisher: Bordoni*, Il Meneghello
Number of Cards: 78
ISBN:
Type: Milanese
Reference: Encyclopedia of Tarot, vol. IV pp. 680, 682







Notes:
This is a reproduction of a deck printed by Bordoni circa 1880.  The Ace of Coins contains an Italian monarchic tax stamp, 50 centesimi (valid mid-1880/1890s) and a stamp of the Milanese tax office dated 1890, but tax stamps don't give an exact date, because they may be applied years after the deck was first published.

This reproduction was printed as a limited and numbered edition of 2000 by Il Meneghello. There was another edition of the same deck - also by Il Meneghello - named "Tarocco Lombardo (a doppia figura)" that one is limited to 1500 copies.

This deck it is one of the earliest known to have double figures (doppia figura), or mirror reflections of the images on the cards. The back design shows a lancer on horseback.
 

The original was stencil colored lithography and has the backs printed on a separate sheet and glued to the cards, with the edges wrapped around the front. This edition also reproduces the backing paper edges on the front.

The cards came in a solid cardboard box with a wax seal of Il Meneghello.

Ancient Italian Tarot

Creator(s): Unknown Artist, Cartiera Italiana 
Date: 1880, reproduction 2000
Country: Italy
Publisher: Lo Sarabeo
Number of Cards: 78
ISBN: 888395057-7
Type: Marseilles
Reference: Encyclopedia of Tarot, vol. IV, pp. 680-681






Notes:
This deck is a reproduction of an Italian deck from the 1880's, which in turn was based in part on the 1835 deck by Carlo DellaRocca.

This version of Dellarocca’s deck was produced by the Avondo Brothers of Serravalle-Sesia, a small town known for its card production. It was reproduced in 2000 by Lo Scarabeo as the Ancient Italian Tarot.

The trumps in this deck are based on Marseilles symbolism. As typically Italian modification the Magician (I - Il Bagatto) becomes an artisan, probably a cobbler.

This deck is similiar to "The Classical Tarots", which is a recoloured reprint of Della Rocca's original engravings from 1835. In the Classical Tarots, the fields of the images have been narrowed slightly to allow for the printing of keywords along the border. In the Ancient Italian Tarot deck the lines are thicker and less detailed. The deck has not been re-colored, and the colors are darker. The pip cards in the Ancient Italian contain Arabic numerals, whereas the Classical pips have roman numerals.

In the "Ancient Italian Tarot" the court cards have been redone , and the Avondo Brothers gave the pip cards some unique features. The Ace of Cups is unlike that of any other deck. A cherub sits in a window cut in the side of a large chalice that has dolphins at the base. The cups in the rest of the suit have blue jewels on their bowls. The suit of Batons is decorated with gold plaques, red hearts and filigrees instead of the usual flowers and leaves. The center enclosure in the even numbered swords cards has an oak or laurel branch instead of a flower as in most decks.

The Ace of Coins has the tax stamp and Winged Mercury in the center of the coin. The extra tax stamp, dated 1880, towards the top the card is in black, indicating that the deck was for domestic market. The vegetation throughout the pip cards is heavier and more lavish than in any other deck.