The Tarot of Viéville has no titles on the cards and the numbers seem as if they were added to the cards images and forced into place in available space rather than as part of the design. Nearly all the subjects of Viéville's tarot look towards the opposite direction faced by the ones of Marseille, the engraver for Viéville presumably "copied" this tarot in reverse, using the "right" side of an old printed sheet as model. This edition of the Viéville majors presents them as they appear in the original deck and includes a mostly reversed option as well.
The Cosmic Tarot was first published by FX Schmid, a bavarian company. Unfortunately this company was sold in the 1990s. The deck continues to be published by AGMüller but is also distributed by US Games. My edition was published 1998 by AGMüller and was printed in Belgium.
The deck comes with a LWB and no companion book, but there are three books published about this deck, which may be
purchased separately; One authored by Jean Huets, another one written by Laura Clarson and a third book by Lösche himself, which is only available in German and Spanish.
The Minors are fully
illustrated and follow, fairly closely, the original designs
of Pamela Coleman-Smith. While the emblem of the Sword, in
the Suit of Swords, and the emblem of the Cup in the
Suit of Cups, remain constant in the manner of their
appearance from one card to the next in each of the two
suits, the emblem of the Wand as used in the suit of
Wands, and the emblem of the Pentacle, as used in the
suit of Pentacles, go through various transformations
as seen in the various cards of the respective suits.
Thus, the Wand appears as scepter,
fighting staff, walking staff, column and knights lance appropriate to the meaning of the particular card. Similarly, the Pentacle in the suit of
Pentacles is, at once, Knights shield, a structural part of
a Kings throne, a treasure chest of coins and
various other constructs.
The cards measure 2 3/4" x 4 5/8" and feature backs which aren't exact
reversible, but enough so that it's difficult to tell at a glance
which side is up. The cards are bordered on three sides with black. The
titles on the bottom are surrounded by vines. At the bottom of the
card is listed the card title for the Major Arcana (the Majors are unnumbered), the number and
suit for the Pips, and the title and suit for the Court Cards. 
Notes:
Creator(s): Aleister Crowley, Frieda Harris
Card suit ("Trumps" for the majors) printed in large, light letters, with card title (majors, courts) or keyword (minors) superimposed in dark, small-size type. Titles on the majors are flanked by a Hebrew letter on the left, and an alchemical or astrological symbol on the right. This is the only edition that still retains the inclusion of the three variants of the "Magus" card. The LWB was edited and updated by Lynn Araujo, and includes two essays
written by Lady Frieda Harris, along with commentary by Stuart R.
Kaplan. 
The Tarot of the Holy Light is a traditional Continental-style deck full of images like they are used in alchemical and hermetic texts. The associations for the trumps from this deck are keyed to the ideas taught by Ettteilla and Papus. The Pips
and Court Cards are distributed in a classic
astrological pattern. The signs, planets, and
elements that rule them are marked on each card.
The card backs are done in black and white, with a Sun in each corner. At first
glance the backs are reversible, but by looking closer one could tell if they were upright or reversed. The
backs show some sort of a doorway into the cosmos, with the Sun representing
the material world, and the Moon representing the celestial world.
The cards measure 7.1
cm x 11.2 cm. The backs of the cards are
reversible and the background is a dark blue. They feature a red rose
and a cross design that represent the four
elements.
The artist has chosen different mediums
for each of the suits, which shall represent the spirit of the
particular suit. The major arcana have been done in acrylic paint, for
the suit of Wands she used a combination of coloured pencil and acrylic
paint, the suit of Cups are done in watercolour, water-based ink and
acrylic, the suit of Swords use a dry-point etching technique and
acrylic, and for the suit of Disks it's oil pigments and acrylic.
The minors have a Polish title at the top and an English title at the bottom. There are no roads in the minors but each suit has a characteristic colour. The backgrounds are formed by digitally mixing photos of engraved clay images and images of fire, water, sky or stone.